Guitar playing Q&A

jtomasik
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Edited Date/Time 1/27/2012 2:35pm
Maybe we can share the ways we play. I mostly do copy stuff (99%). But, gotta get into doing my own thing, as I'm starting to play with a drummer down the street, and we need to make our own music.


Anyways, I only learned bar chords and open chords, and I've done everything by ear since. I can sorta read music, although I couldn't rattle off the notes for a minor scale by memory; I'd have to pluck my way through it. I've mostly used pattern recognition on the fretboard for leads, and if you play an A or an E, I know the basics of where to go to find a solo for it.


So, anyone here copy Black Sabbath? For their first album (and maybe for later ones), does Iommi tune down a 1/2? It seems to me he did.


Also, I still have the goal to learn Crushing Day by Satriani. Anyone here know how to play that?



...my fingers are killing me from jamming yesterday...Cygnus, you should bring your bass up here.
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jtomasik
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11/8/2008 6:27am Edited Date/Time 4/16/2016 9:09pm
Oh, here's Crushing Day, in case you're wondering. It gets really going about half way through:




bll
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11/8/2008 6:36am
i was an absolute tony iommi deciple for years and years. love him!!

tony used the following tunings.

the songs from black sabbath, paranoid, technical ecstasy, never say die and mob rules are all in standard tuning.

masters of reality has mulitple tunings from standard to a whole step down, to one and a half steps.

vol 4, sabbath bloody sabbath and sabatoge are all tuned down a step and a half.

and finally we get to heaven and hell were he's just tuning down a half step!

so as you can see he was sort of all over the place, i was surprised that he has so much in standard tuning becuase he smushed the tips of his fret hand fingers with a press literallly the last afternoon on the job before he was to quit and pursue music full time.

the story goes, he came home for lunch, wasn't going back to work but his mom talked him into it and the accident happened.

i've read him say that the slack tunings were easier on his fingers.

hope this helps,


jtomasik
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11/8/2008 6:40am Edited Date/Time 4/16/2016 9:09pm
Dang. Actually, it confuses me. I'm playing Wasp (from the Black Sabbath album), and, when I play it with an open A against half of the A and C bar chords, it sounds great. But, if I try to play that with a standard tune against the CD, I'm tuned up a half, so I can't use the open A.



Try the intro of it. I was thinking my guitar's out of whack, but I match AC/DC and BTO with this tune, and I'm pretty sure AC/DC's tuned correctly.




And,

Crap, actually, it looks like he's got all strings choked off, instead of playing with an open.

Nevermind... :-D
bll
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11/8/2008 7:35am
live can be a different story with these guys, also he didn't use too many open chords, he liked playing power chords on root 6 string, thought it sounded more evil, make sense?


The Shop

jtomasik
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11/8/2008 7:56am
Yeah, it does. But, I'm playing a Strat, and my sustain and single coils don't have the grunt of the humbuckers and sustain of the glued in necks of the Gibsons, so using open strings kinda gives my guitar more power.

I played it like he did, and it works pretty well. For me, the open string made it a bit easier, but, no biggy. I have more control on cutting off the note without the open technique. Thanks for your info.


Now, I gotta go get new strings for my beast. I had the old Stevie Ray - gauge strings on there from years ago, and since I haven't played a lot, I've worn holes in my fingers. I gotten lighten it up a bit until I can build up the calluses. Off to Guitar Center...haven't been there in years.
Cygnus
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11/8/2008 10:34am Edited Date/Time 4/16/2016 9:09pm
jtomasik wrote:
Yeah, it does. But, I'm playing a Strat, and my sustain and single coils don't have the grunt of the humbuckers and sustain of the glued...
Yeah, it does. But, I'm playing a Strat, and my sustain and single coils don't have the grunt of the humbuckers and sustain of the glued in necks of the Gibsons, so using open strings kinda gives my guitar more power.

I played it like he did, and it works pretty well. For me, the open string made it a bit easier, but, no biggy. I have more control on cutting off the note without the open technique. Thanks for your info.


Now, I gotta go get new strings for my beast. I had the old Stevie Ray - gauge strings on there from years ago, and since I haven't played a lot, I've worn holes in my fingers. I gotten lighten it up a bit until I can build up the calluses. Off to Guitar Center...haven't been there in years.
Pick up one or two of these While you are there . http://www.dimarzio.com/site/#/pickups/


They can fix any twangy strat . When are you guys gonna be jammin next ?
I will start looking for an amp. My little practice amp won't cut it.
Cygnus
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11/8/2008 10:36am
The HS-3 is where the link was suppose to go?
jtomasik
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11/8/2008 10:40am
I don't want to get rid of the twang. I like it.

I think we might even jam tonight, if I can tape up my fingertips good enough. I have a 60 watt Crate you're welcome to use. Dunno how it sounds behind a bass. But, it cranks pretty good.


Gimme a call.
Cygnus
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11/8/2008 10:49am
Then go with the HS-2 in the bridge pos. It is switchable from singe coil to humbucker . Best of both worlds. No strat should be without one .
race
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11/8/2008 11:47am
"Also, I still have the goal to learn Crushing Day by Satriani. Anyone here know how to play that? "

With all the YouTubes, it's all laid out for you. Shit, you can even watch and see the exact finger positions on everything. Just figure out the bass and that will tell you what key a song is in. Then figure out a few melodic notes on top. If you know any theory at all there are only so many choices as there isn't a whole lot of atonal stuff going on in rock.

Well ... at least not intentionally atonal. Tongue

I always try to practice a mix of existing stuff as well as try to explore my own new stuff. But you really should learn some theory so that you're not flying blind. Then you will have a thousand more options available to you. You should know what every chord you are playing is ... and where it can go. Just force yourself to deconstruct each chord and figure out what type of chord it is and how it fits into tonal key centers.

Unfortunately, most guitarists just play the instrument based on visual patterns of scales and chords on the fretboard and don't really go beyond that. You can still get really good that way, but you're always going to be limited.

Also, a cheap keyboard ... just enough to be able to play chords on, can help as the keyboard layout makes it much easier to see what is going on as far as chord construction, intervals, modulating to other keys, etc.

Tabs can be really useful too but so many of the tab sites have been shut down. ( Yeah, I know, tabs are lazy but sometimes I don't feel like spending the time to analyze and figure out stuff )

We should all start a tabs thread and swap tabs of stuff that you can't find anymore. Anyone have a big collection of tabs? I got back into guitar just recently ... just in time to see all the sites go away.
kaw rider9
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11/8/2008 11:58am
I'll dig out all the tabs I have and post the ones you all wan't. I have alot.
I know alot of people that hate tabs, but they are a great learning tool.

This is going to be a great thread! Thanks for starting it.
jtomasik
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11/8/2008 12:01pm
Yeah, I hear ya, Race. My son plays keyboard, and we have two laying around I can use. But, I guess I'm just not ready to sacrifice the time to learn, when I could just be jamming. I play for the testosterone rush for now. Maybe the jamming will force me to get to the next level. I never really played regularly with other people, so I imagine things are gonna change.

Oh, I've already written a country western tune...which really mocks the urban cowboy.

I also have some basic licks that I've messed around with. IMO, good songs are built from the heart and not so much the mind (like theory), although I don't doubt that a lot of the big players knew theory (Hendrix, Page, etc.).
jtomasik
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11/8/2008 12:02pm
kaw rider9 wrote:
I'll dig out all the tabs I have and post the ones you all wan't. I have alot. I know alot of people that hate tabs...
I'll dig out all the tabs I have and post the ones you all wan't. I have alot.
I know alot of people that hate tabs, but they are a great learning tool.

This is going to be a great thread! Thanks for starting it.
Good man! Bring 'em! I've only used tabs about 3 or 4 times, though. I used to have a software where you could slow the music down without changing the pitch. I think it was called Slow Burn(?). That was pretty cool.
`ol Ger
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11/8/2008 12:05pm
I use a fingerpicking style that I kind of invented. Mostly open chords.
jtomasik
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11/8/2008 12:21pm Edited Date/Time 4/16/2016 9:09pm
Yeah, right, Ger. You close that door and then....




bll
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11/8/2008 12:39pm Edited Date/Time 4/16/2016 9:09pm
sometime last year i picked up the classical guitar and have been studying flamenco and classical ever since. very enjoyable and some monster players out there in these genre's. these styles go back 400 or more years and you can really get a perspective of the guitar.
if your serious about classical guitar you can play this song, it's a staple for all guitarist in the genre. anyway, i don't have the desire to put in the time to learn it, but here is a modern day legend playing it, enjoy.


jtomasik
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11/8/2008 12:48pm Edited Date/Time 4/16/2016 9:09pm
Flamenco is pretty darn cool. Ever listen to any Steve Stevens? He has a pretty good twist on it.

I've always wanted to learn this one:




Cygnus
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11/8/2008 12:54pm Edited Date/Time 4/16/2016 9:09pm



jtomasik
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11/8/2008 1:00pm
Yep, Steve Stevens is one bad ass on the guitar.
race
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11/8/2008 1:06pm Edited Date/Time 4/16/2016 9:09pm
I studied classical for several years as a kid. Mainly doing studies and stuff from Tarrega, Carcassi, Carulli, Sor and a little Bach. I've only got a steel string accoustic now but I dug out what little classical music I could find and have been trying to adapt my technique using a pick and then using my 3rd, 4th and 5th fingers for plucked chords, etc. I keep a little bit of nail on my pick hand fingers so I can get some bite out of the strings.

I can get a nice harpsichord effect on plucked chords when my strings are new and I use a metal pick.

I did a quick look at YouTube and found a piece I had to do for a recital once, although this guy mangles it by trying to play it too fast and flubbing some parts. I remember I always liked the bluesy bass line on it.






BTW - it's actually Op. 26 ( Six Caprices, No. 4, Matteo Carcassi ) and not Op. 25.

race
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11/8/2008 1:17pm
Hey, if anyone has any guitar tabs from the first 4 King Crimson albums ...

1. In the Court of the Crimson King

2. In the Wake of Poseidon

3. Cirkus

4. Islands

post 'em up please.

I've seen what little there is now but maybe one of you grabbed some stuff back a few years ago? Fripp was / is an amazing accoustic player. Very original lines and chords.

Cygnus
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11/8/2008 1:17pm Edited Date/Time 4/16/2016 9:09pm
Screw the bass amp. I am getting an acoustic first.




The Hurricane
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11/8/2008 1:38pm
Steve Stevens is awesome -- I like his playing because he is not so much a legato player; he sped picks quite a bit. For legato type stuff, I like George Lynch and a few others.
Cygnus
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11/8/2008 1:43pm Edited Date/Time 4/16/2016 9:09pm



bll
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11/8/2008 7:10pm Edited Date/Time 4/16/2016 9:10pm
`ol Ger wrote:
uh yea!....just a little.....


a legend among any guitar player and any musician for that matter.



mark knopfler, nuff said! one of my all time favorites.....you hvae to click, it won't let you embed.

http://www.youtube.com/watch?v=EVwaX3Lyf7A
motogeezer
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11/8/2008 9:12pm
race wrote:
Hey, if anyone has any guitar tabs from the first 4 King Crimson albums ... 1. In the Court of the Crimson King 2. In the...
Hey, if anyone has any guitar tabs from the first 4 King Crimson albums ...

1. In the Court of the Crimson King

2. In the Wake of Poseidon

3. Cirkus

4. Islands

post 'em up please.

I've seen what little there is now but maybe one of you grabbed some stuff back a few years ago? Fripp was / is an amazing accoustic player. Very original lines and chords.

You're killing me!

Good shit, right there.

And for you guys that want to fix a twangy Strat, don't.

If you want to make your Strat crunch like a Les Paul distorted, and still sound like a Strat clean: Seymore Duncan "Hot Rails."

http://accessories.musiciansfriend.com/product/Seymour-Duncan-SHR1-Hot-…






jtomasik
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11/8/2008 10:05pm Edited Date/Time 4/16/2016 9:10pm
Put new strings on the axe (first time in probably 5 years), retuned, and figured out that Wasp starts B/D, then drops down into an A. I was all whacked out before. But, it's a blast to play.



Anyone understand the circle of fifths? A buddy of mine told me that technique of learning simplifies things big-time. If you know it, post your version, and help out a fellow American who's down on his luck...


I wanna grow up to be Slash...







...or a fire truck. Can't decide which.
jtomasik
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11/9/2008 7:54pm
Ahhhh...the calluses have formed. I can rock again.

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